friedship

 

منبع عکس :سایت گوگل

موفقیت

اموزش تصویری اصطلاحات

اصطلاح شماره 29

Keep an eye open on something

معنی: مراقب چیزی بودن

- We've asked the neighbors to keep an eye open on the house for us while we are away.

- ما از همسایه ها خواسته ایم که وقتی بیرون هستیم مراقب خانه باشند.



منبع: سایت راسخون

Alfred, Lord Tennyson

Alfred Tennyson, 1st Baron Tennyson, FRS (6 August 1809 – 6 October 1892) was Poet Laureate of the United Kingdom during much of Queen Victoria's reign and remains one of the most popular poets in the English language.

Tennyson excelled at penning short lyrics, "In the valley of Cauteretz", "Break, Break, Break", "The Charge of the Light Brigade", "Tears, Idle Tears" and "Crossing the Bar". Much of his verse was based on classical mythological themes, such as Ulysses, although In Memoriam A.H.H. was written to commemorate his best friend Arthur Hallam, a fellow poet and fellow student at Trinity College, Cambridge, who was engaged to Tennyson's sister, but died from a cerebral hemorrhage before they were married. Tennyson also wrote some notable blank verse including Idylls of the King, Ulysses, and Tithonus. During his career, Tennyson attempted drama, but his plays enjoyed little success.

Tennyson wrote a number of phrases that have become commonplaces of the English language, including: "Nature, red in tooth and claw", "'Tis better to have loved and lost / Than never to have loved at all", "Theirs not to reason why, / Theirs but to do and die", "My strength is as the strength of ten, / Because my heart is pure", "Knowledge comes, but Wisdom lingers", and "The old order changeth, yielding place to new". He is the second most frequently quoted writer in The Oxford Dictionary of Quotations after Shakespeare.^[1] 

 The art of Tennyson's poetry

Tennyson used a wide range of subject matter, ranging from medieval legends to classical myths and from domestic situations to observations of nature, as source material for his poetry. The influence of John Keats and other Romantic poets published before and during his childhood is evident from the richness of his imagery and descriptive writing. He also handled rhythm masterfully. The insistent beat of Break, Break, Break emphasizes the relentless sadness of the subject matter. Tennyson's use of the musical qualities of words to emphasize his rhythms and meanings is sensitive. The language of "I come from haunts of coot and hern" lilts and ripples like the brook in the poem and the last two lines of "Come down O maid from yonder mountain height" illustrate his telling combination of onomatopoeia, alliteration and assonance:

The moan of doves in immemorial elms

And murmuring of innumerable bees.

Tennyson was a craftsman who polished and revised his manuscripts extensively. Few poets have used such a variety of styles with such an exact understanding of metre; like many Victorian poets, he experimented in adapting the quantitative metres of Greek and Latin poetry to English. He reflects the Victorian period of his maturity in his feeling for order and his tendency towards moralizing and self-indulgent melancholy. He also reflects a concern common among Victorian writers in being troubled by the conflict between religious faith and expanding scientific knowledge. Like many writers who write a great deal over a long time, he can be pompous or banal, but his personality rings throughout all his works—work that reflects a grand and special variability in its quality. Tennyson possessed the strongest poetic power; he put great length into many works, most famous of which are Maud and Idylls of the King, the latter one of literature's treatments of the legend of King Arthur and The Knights of the Round Table.^{[citation needed]}

خطای دید

 

 !!?Are the moving Circles... Really 

 http://www.paraswadher.com/2009/06/optical-illusion-5/

Alfred, Lord Tennyson’s “The Eagle

 

THE EAGLE

By Alfred, Lord Tennyson

FRAGMENT

He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ringed with the azure world, he stands.

The wrinkled sea beneath him crawls;
He watches from his mountain walls, And like a thunderbolt he falls.

کلماتی برای شادی

شادی درونی است و بیرونی نیست بنابراین به آنچه داریم بستگی

  ندارد ،بلکه به آنچه هستیم بستگی دارد.

                                                                                  هنری ون دایک

Happinessis inward and not outward , and so it does not depend

on what we have ,  but on what we are

http://beautiful87.blogfa.com/8710.aspx

پنج راه موفقیت

Five Tips For A Successful Fundraiser

By: Alice Langholt

For a successful fundraiser, several important fundraising strategies can help encourage success. When planning any fundraiser, you must make many decisions regarding fundraising items, dates, timing, costs versus profit and working with a committee. Tackling each task step-by-step can help the planning process run smoothly.

1. Choose A Product Or Event
Even before choosing a product or event, you need to know your fundraising goals. Knowing how much money you want to raise will make the decision about an event or product much easier. Make your goal realistic in terms of your target consumers. The higher your goal, the more you will expect people to contribute per person. This translates to the difference between an event where consumers will spend more money, such as an auction or casino night, or buy small ticket items, such as flowers, lollipops or cookie dough. Meet with your committee and set the goal, then choose the product or event based on the goal.

2. Choose The Length Of The Fundraiser
Regardless of whether you are planning an event or the sale of a product, the fundraiser will have an estimated length and an end date. Don't make the sale go on too long, or people will get burned out. With a long fundraiser, there is a higher chance of money getting lost, not to mention the direction and sense of purpose getting lost as the days drag along. Two to three weeks seems appropriate for most item sales, and two to three hours for most events. Choosing your starting and ending dates and times will then make it easy to find and set the fundraiser on the calendar.

3. Choose The Timing Of The Fundraiser
This refers to the time of year the fundraiser will happen. You may need to plan around other fundraisers, holidays and vacations. Don't double up with other fundraisers in the same organization, and try to avoid timing your fundraiser right after the winter holidays, when everyone is strapped for cash. Also, you want to plan your fundraiser when you can reach the most potential consumers, so winter, spring or summer breaks are usually out.

4. Know Your Costs
It's important to be aware of the costs of the product you will sell, or the costs of all aspects of the event, so you can calculate how much profit to expect. After all, you will need to take the costs out of whatever you make, and you end up with a smaller amount than the total you raised. You want to choose something with the highest potential profit once the costs are taken care of.

5. Working With A Committee
Planning a fundraiser takes many hands. Don't take it on alone. Delegate, and take advantage of the strengths and contacts of those in the committee. Be organized, and keep in touch with all who are working on the fundraiser. Keep those who miss meetings up to date. It's important to make sure the projects and tasks flow and all products and money are accounted for.

http://www.life123.com/holidays/party-themes/fundraisers/successful-fundraiser.shtml