Mashhad (Persian: مشهد from Arabic: مشهد, ‹Mašhad›, literally the place of martyrdom)[3][4] is the second largest city in Iran and one of the holiest cities in the Shia Muslim world. It is also the only major Iranian city with an Arabic name. It is located 850 kilometres (530 mi) east of Tehran, at the center of the Razavi Khorasan Province close to the borders of Afghanistan and Turkmenistan. Its population was 2,427,316 at the 2006 population census.[1]
Now Mashhad is notably known as the resting place of the Imam Reza. A shrine was later built there to commemorate the Imam, which in turn gave rise to increasing demographic development.
Mashhad is also known as the city of Ferdowsi, the eminent Iranian poet of Shahnameh, which is considered to be the national epic of Iran.
ادامه مطلب ...Tabriz (Persian/Azerbaijani:تبریز) is the most populated city in Iranian Azerbaijan, it is fourth largest city in Iran and the capital of East Azerbaijan Province. Situated at an altitude of 1,350 meters at the junction of the Quri River and Aji River, it was the second largest city in Iran until the late 1960s, one of its former capitals, and residence of the crown prince under the Qajar dynasty. The city has proven extremely influential in the country’s recent history. Tabriz is located in a valley to the north of the long ridge of the volcanic cone of Sahand, south of the Eynali mountain. The valley opens out into a plain that slopes gently down to the northern end of Lake Urmia, 60 km to the west. With cold winters and temperate summers the city is considered a summer resort.
The estimated population of the city is around 1,400,000[1] based on results of the Iranian census bureau. Tabriz is the fourth most populated city in Iran after Tehran, Mashhad, and Esfahan, while also being a major Iranian heavy industrial and manufacturing center. Some of these industries include automobile, machine tools, oil and petrochemical and cement production.[2]
With a rich history, Tabriz contains many historical monuments, which repeated devastating earthquakes have substantially damaged. Monuments date back to the Ilkhanid, Safavid, and Qajar periods[3][4][5], with the large Tabriz Historic Bazaar Complex being named as a World Heritage Site in 2010.
ادامه مطلب ...Tabriz (Persian/Azerbaijani:تبریز) is the most populated city in Iranian Azerbaijan, it is fourth largest city in Iran and the capital of East Azerbaijan Province. Situated at an altitude of 1,350 meters at the junction of the Quri River and Aji River, it was the second largest city in Iran until the late 1960s, one of its former capitals, and residence of the crown prince under the Qajar dynasty. The city has proven extremely influential in the country’s recent history. Tabriz is located in a valley to the north of the long ridge of the volcanic cone of Sahand, south of the Eynali mountain. The valley opens out into a plain that slopes gently down to the northern end of Lake Urmia, 60 km to the west. With cold winters and temperate summers the city is considered a summer resort.
The estimated population of the city is around 1,400,000[1] based on results of the Iranian census bureau. Tabriz is the fourth most populated city in Iran after Tehran, Mashhad, and Esfahan, while also being a major Iranian heavy industrial and manufacturing center. Some of these industries include automobile, machine tools, oil and petrochemical and cement production.[2]
With a rich history, Tabriz contains many historical monuments, which repeated devastating earthquakes have substantially damaged. Monuments date back to the Ilkhanid, Safavid, and Qajar periods[3][4][5], with the large Tabriz Historic Bazaar Complex being named as a World Heritage Site in 2010
ادامه مطلب ...Formalism is a school of literary criticism and literary theory having mainly to do with structural purposes of a particular text.
In literary theory, formalism refers to critical approaches that analyze, interpret, or evaluate the inherent features of a text. These features include not only grammar and syntax but also literary devices such as meter and tropes. The formalist approach reduces the importance of a text’s historical, biographical, and cultural context.
Formalism rose to prominence in the early twentieth century as a reaction against Romanticist theories of literature, which centered on the artist and individual creative genius, and instead placed the text itself back into the spotlight, to show how the text was indebted to forms and other works that had preceded it. Two schools of formalist literary criticism developed, Russian formalism, and soon after Anglo-American New Criticism. Formalism was the dominant mode of academic literary study in the US at least from the end of the Second World War through the 1970s, especially as embodied in René Wellek and Austin Warren's Theory of Literature (1948, 1955, 1962).
Beginning in the late 1970s, formalism was substantially displaced by various approaches (often with political aims or assumptions) that were suspicious of the idea that a literary work could be separated from its origins or uses.[citation needed] The term has often had a pejorative cast and has been used by opponents to indicate either aridity or ideological deviance.[citation needed] Some recent trends in academic literary criticism suggest that formalism may be making a comeback
ادامه مطلب ...Schools of Criticism
Suppose we bear that question in mind in surveying the various schools of criticism. There are many, but could perhaps be grouped as:
Though perhaps Edwardian in style, this approach — essentially one of trying to broaden understanding and appreciation — is still used in general surveys of English literature. There is usually some information on the writer and his times, and a little illustration, but no close analysis of the individual work or its aims.
The poem (the approach works best for poetry, and especially the lyric) is detached from its biographical or historical context, and analyzed thoroughly: diction, imagery, meanings, particularly complexities of meaning. Some explanation of unfamiliar words and/or uses may be allowed, but the poem is otherwise expected to stand on its own feet, as though it were a contemporary production.
Rhetoric is the art of persuasion, and the rhetorical approach attempts to understand how the content of the poem, which is more than intellectual meaning, is put across. How arguments are presented, attitudes struck, evidence marshalled, various appeals made to the reader — all are relevant.
ادامه مطلب ...